T h e  G o o d 
S o l d i e r

Part III
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I

     THE odd thing is that what sticks out in my recollection of the rest of that evening was Leonora's saying:

     "Of course you might marry her," and, when I asked whom, she answered:

     "The girl."

     Now that is to me a very amazing thing--amazing for the light of possibilities that it casts into the human heart. For I had never had the slightest conscious idea of marrying the girl; I never had the slightest idea even of caring for her. I must have talked in an odd way, as people do who are recovering from an anaesthetic. It is as if one had a dual personality, the one I being entirely unconscious of the other. I had thought nothing; I had said such an extraordinary thing.

     I don't know that analysis of my own psychology matters at all to this story. I should say that it didn't or, at any rate, that I had given enough of it. But that odd remark of mine had a strong influence upon what came after. I mean, that Leonora would probably never have spoken to me at all about Florence's relations with Edward if I hadn't said, two hours after my wife's death:

     "Now I can marry the girl."

     She had, then, taken it for granted that I had been suffering all that she had been suffering, or, at least, that I had permitted all that she had permitted. So that, a month ago, about a week after the funeral of poor Edward, she could say to me in the most natural way in the world--I had been talking about the duration of my stay at Branshaw--she said with her clear, reflective intonation:

     "Oh, stop here for ever and ever if you can." And then she added, "You couldn't be more of a brother to me, or more of a counsellor, or more of a support. You are all the consolation I have in the world. And isn't it odd to think that if your wife hadn't been my husband's mistress, you would probably never have been here at all?"

     That was how I got the news--full in the face, like that. I didn't say anything and I don't suppose I felt anything, unless maybe it was with that mysterious and unconscious self that underlies most people. Perhaps one day when I am unconscious or walking in my sleep I may go and spit upon poor Edward's grave. It seems about the most unlikely thing I could do; but there it is.

     No, I remember no emotion of any sort, but just the clear feeling that one has from time to time when one hears that some Mrs So-and-So is au mieux with a certain gentleman. It made things plainer, suddenly, to my curiosity. It was as if I thought, at that moment, of a windy November evening, that, when I came to think it over afterwards, a dozen unexplained things would fit themselves into place. But I wasn't thinking things over then. I remember that distinctly. I was just sitting back, rather stiffly, in a deep arm-chair. That is what I remember. It was twilight.

     Branshaw Manor lies in a little hollow with lawns across it and pine-woods on the fringe of the dip. The immense wind, coming from across the forest, roared overhead. But the view from the window was perfectly quiet and grey. Not a thing stirred, except a couple of rabbits on the extreme edge of the lawn. It was Leonora's own little study that we were in and we were waiting for the tea to be brought. I, as I said, was sitting in the deep chair, Leonora was standing in the window twirling the wooden acorn at the end of the window-blind cord desultorily round and round. She looked across the lawn and said, as far as I can remember:

     "Edward has been dead only ten days and yet there are rabbits on the lawn."

     I understand that rabbits do a great deal of harm to the short grass in England. And then she turned round to me and said without any adornment at all, for I remember her exact words:

     "I think it was stupid of Florence to commit suicide."

     I cannot tell you the extraordinary sense of leisure that we two seemed to have at that moment. It wasn't as if we were waiting for a train, it wasn't as if we were waiting for a meal--it was just that there was nothing to wait for. Nothing.

     There was an extreme stillness with the remote and intermittent sound of the wind. There was the grey light in that brown, small room. And there appeared to be nothing else in the world. I knew then that Leonora was about to let me into her full confidence. It was as if--or no, it was the actual fact that--Leonora with an odd English sense of decency had determined to wait until Edward had been in his grave for a full week before she spoke. And with some vague motive of giving her an idea of the extent to which she must permit herself to make confidences, I said slowly --and these words too I remember with exactitude--"Did Florence commit suicide? I didn't know."

     I was just, you understand, trying to let her know that, if she were going to speak she would have to talk about a much wider range of things than she had before thought necessary.

     So that that was the first knowledge I had that Florence had committed suicide. It had never entered my head. You may think that I had been singularly lacking in suspiciousness; you may consider me even to have been an imbecile. But consider the position.

     In such circumstances of clamour, of outcry, of the crash of many people running together, of the professional reticence of such people as hotel-keepers, the traditional reticence of such "good people" as the Ashburnhams--in such circumstances it is some little material object, always, that catches the eye and that appeals to the imagination. I had no possible guide to the idea of suicide and the sight of the little flask of nitrate of amyl in Florence's hand suggested instantly to my mind the idea of the failure of her heart. Nitrate of amyl, you understand, is the drug that is given to relieve sufferers from angina pectoris.

     Seeing Florence, as I had seen her, running with a white face and with one hand held over her heart, and seeing her, as I immediately afterwards saw her, lying upon her bed with the so familiar little brown flask clenched in her fingers, it was natural enough for my mind to frame the idea. As happened now and again, I thought, she had gone out without her remedy and, having felt an attack coming on whilst she was in the gardens, she had run in to get the nitrate in order, as quickly as possible, to obtain relief. And it was equally inevitable my mind should frame the thought that her heart, unable to stand the strain of the running, should have broken in her side. How could I have known that, during all the years of our married life, that little brown flask had contained, not nitrate of amyl, but prussic acid? It was inconceivable.

     Why, not even Edward Ashburnham, who was, after all more intimate with her than I was, had an inkling of the truth. He just thought that she had dropped dead of heart disease. Indeed, I fancy that the only people who ever knew that Florence had committed suicide were Leonora, the Grand Duke, the head of the police and the hotel-keeper. I mention these last three because my recollection of that night is only the sort of pinkish effulgence from the electric-lamps in the hotel lounge. There seemed to bob into my consciousness, like floating globes, the faces of those three. Now it would be the bearded, monarchical, benevolent head of the Grand Duke; then the sharp-featured, brown, cavalry-moustached feature of the chief of police; then the globular, polished and high-collared vacuousness that represented Monsieur Schontz, the proprietor of the hotel. At times one head would be there alone, at another the spiked helmet of the official would be close to the healthy baldness of the prince; then M. Schontz's oiled locks would push in between the two. The sovereign's soft, exquisitely trained voice would say, "Ja, ja, ja!" each word dropping out like so many soft pellets of suet; the subdued rasp of the official would come: "Zum Befehl Durchlaucht," like five revolver-shots; the voice of M. Schontz would go on and on under its breath like that of an unclean priest reciting from his breviary in the corner of a railway-carriage. That was how it presented itself to me.

     They seemed to take no notice of me; I don't suppose that I was even addressed by one of them. But, as long as one or the other, or all three of them were there, they stood between me as if, I being the titular possessor of the corpse, had a right to be present at their conferences. Then they all went away and I was left alone for a long time.

     And I thought nothing; absolutely nothing. I had no ideas; I had no strength. I felt no sorrow, no desire for action, no inclination to go upstairs and fall upon the body of my wife. I just saw the pink effulgence, the cane tables, the palms, the globular match-holders, the indented ash-trays. And then Leonora came to me and it appears that I addressed to her that singular remark:

     "Now I can marry the girl."

     But I have given you absolutely the whole of my recollection of that evening, as it is the whole of my recollection of the succeeding three or four days. I was in a state just simply cataleptic. They put me to bed and I stayed there; they brought me my clothes and I dressed; they led me to an open grave and I stood beside it. If they had taken me to the edge of a river, or if they had flung me beneath a railway train, I should have been drowned or mangled in the same spirit. I was the walking dead.

     Well, those are my impressions.

     What had actually happened had been this. I pieced it together afterwards. You will remember I said that Edward Ashburnham and the girl had gone off, that night, to a concert at the Casino and that Leonora had asked Florence, almost immediately after their departure, to follow them and to perform the office of chaperone. Florence, you may also remember, was all in black, being the mourning that she wore for a deceased cousin, Jean Hurlbird. It was a very black night and the girl was dressed in cream-coloured muslin, that must have glimmered under the tall trees of the dark park like a phosphorescent fish in a cupboard. You couldn't have had a better beacon.

     And it appears that Edward Ashburnham led the girl not up the straight allée that leads to the Casino, but in under the dark trees of the park. Edward Ashburnham told me all this in his final outburst. I have told you that, upon that occasion, he became deucedly vocal. I didn't pump him. I hadn't any motive. At that time I didn't in the least connect him with my wife. But the fellow talked like a cheap novelist.--Or like a very good novelist for the matter of that, if it's the business of a novelist to make you see things clearly. And I tell you I see that thing as clearly as if it were a dream that never left me. It appears that, not very far from the Casino, he and the girl sat down in the darkness upon a public bench. The lights from that place of entertainment must have reached them through the tree-trunks, since, Edward said, he could quite plainly see the girl's face--that beloved face with the high forehead, the queer mouth, the tortured eyebrows, and the direct eyes. And to Florence, creeping up behind them, they must have presented the appearance of silhouettes. For I take it that Florence came creeping up behind them over the short grass to a tree that, I quite well remember, was immediately behind that public seat. It was not a very difficult feat for a woman instinct with jealousy. The Casino orchestra was, as Edward remembered to tell me, playing the Rakocsy march, and although it was not loud enough, at that distance, to drown the voice of Edward Ashburnham it was certainly sufficiently audible to efface, amongst the noises of the night, the slight brushings and rustlings that might have been made by the feet of Florence or by her gown in coming over the short grass. And that miserable woman must have got it in the face, good and strong. It must have been horrible for her. Horrible! Well, I suppose she deserved all that she got.

     Anyhow, there you have the picture, the immensely tall trees, elms most of them, towering and feathering away up into the black mistiness that trees seem to gather about them at night; the silhouettes of those two upon the seat; the beams of light coming from the Casino, the woman all in black peeping with fear behind the tree-trunk. It is melodrama; but I can't help it.

     And then, it appears, something happened to Edward Ashburnham. He assured me--and I see no reason for disbelieving him--that until that moment he had had no idea whatever of caring for the girl. He said that he had regarded her exactly as he would have regarded a daughter. He certainly loved her, but with a very deep, very tender and very tranquil love. He had missed her when she went away to her convent-school; he had been glad when she had returned. But of more than that he had been totally unconscious. Had he been conscious of it, he assured me, he would have fled from it as from a thing accursed. He realized that it was the last outrage upon Leonora. But the real point was his entire unconsciousness. He had gone with her into that dark park with no quickening of the pulse, with no desire for the intimacy of solitude. He had gone, intending to talk about polo-ponies, and tennis-racquets; about the temperament of the reverend Mother at the convent she had left and about whether her frock for a party when they got home should be white or blue. It hadn't come into his head that they would talk about a single thing that they hadn't always talked about; it had not even come into his head that the tabu which extended around her was not inviolable. And then, suddenly, that--

     He was very careful to assure me that at that time there was no physical motive about his declaration. It did not appear to him to be a matter of a dark night and a propinquity and so on. No, it was simply of her effect on the moral side of his life that he appears to have talked. He said that he never had the slightest notion to enfold her in his arms or so much as to touch her hand. He swore that he did not touch her hand. He said that they sat, she at one end of the bench, he at the other; he leaning slightly towards her and she looking straight towards the light of the Casino, her face illuminated by the lamps. The expression upon her face he could only describe as "queer". At another time, indeed, he made it appear that he thought she was glad. It is easy to imagine that she was glad, since at that time she could have had no idea of what was really happening. Frankly, she adored Edward Ashburnham. He was for her, in everything that she said at that time, the model of humanity, the hero, the athlete, the father of his country, the law-giver. So that for her, to be suddenly, intimately and overwhelmingly praised must have been a matter for mere gladness, however overwhelming it were. It must have been as if a god had approved her handiwork or a king her loyalty. She just sat still and listened, smiling. And it seemed to her that all the bitterness of her childhood, the terrors of her tempestuous father, the bewailings of her cruel-tongued mother were suddenly atoned for. She had her recompense at last. Because, of course, if you come to figure it out, a sudden pouring forth of passion by a man whom you regard as a cross between a pastor and a father might, to a woman, have the aspect of mere praise for good conduct. It wouldn't, I mean, appear at all in the light of an attempt to gain possession. The girl, at least, regarded him as firmly anchored to his Leonora. She had not the slightest inkling of any infidelities. He had always spoken to her of his wife in terms of reverence and deep affection. He had given her the idea that he regarded Leonora as absolutely impeccable and as absolutely satisfying. Their union had appeared to her to be one of those blessed things that are spoken of and contemplated with reverence by her church.

     So that, when he spoke of her as being the person he cared most for in the world, she naturally thought that he meant to except Leonora and she was just glad. It was like a father saying that he approved of a marriageable daughter . . . And Edward, when he realized what he was doing, curbed his tongue at once. She was just glad and she went on being just glad.

     I suppose that that was the most monstrously wicked thing that Edward Ashburnham ever did in his life. And yet I am so near to all these people that I cannot think any of them wicked. It is impossible of me to think of Edward Ashburnham as anything but straight, upright and honourable. That, I mean, is, in spite of everything, my permanent view of him. I try at times by dwelling on some of the things that he did to push that image of him away, as you might try to push aside a large pendulum. But it always comes back--the memory of his innumerable acts of kindness, of his efficiency, of his unspiteful tongue. He was such a fine fellow.

     So I feel myself forced to attempt to excuse him in this as in so many other things. It is, I have no doubt, a most monstrous thing to attempt to corrupt a young girl just out of a convent. But I think Edward had no idea at all of corrupting her. I believe that he simply loved her. He said that that was the way of it and I, at least, believe him and I believe too that she was the only woman he ever really loved. He said that that was so; and he did enough to prove it. And Leonora said that it was so and Leonora knew him to the bottom of his heart.

     I have come to be very much of a cynic in these matters; I mean that it is impossible to believe in the permanence of man's or woman's love. Or, at any rate, it is impossible to believe in the permanence of any early passion. As I see it, at least, with regard to man, a love affair, a love for any definite woman--is something in the nature of a widening of the experience. With each new woman that a man is attracted to there appears to come a broadening of the outlook, or, if you like, an acquiring of new territory. A turn of the eyebrow, a tone of the voice, a queer characteristic gesture--all these things, and it is these things that cause to arise the passion of love--all these things are like so many objects on the horizon of the landscape that tempt a man to walk beyond the horizon, to explore. He wants to get, as it were, behind those eyebrows with the peculiar turn, as if he desired to see the world with the eyes that they overshadow. He wants to hear that voice applying itself to every possible proposition, to every possible topic; he wants to see those characteristic gestures against every possible background. Of the question of the sex-instinct I know very little and I do not think that it counts for very much in a really great passion. It can be aroused by such nothings--by an untied shoelace, by a glance of the eye in passing-- that I think it might be left out of the calculation. I don't mean to say that any great passion can exist without a desire for consummation. That seems to me to be a commonplace and to be therefore a matter needing no comment at all. It is a thing, with all its accidents, that must be taken for granted, as, in a novel, or a biography, you take it for granted that the characters have their meals with some regularity. But the real fierceness of desire, the real heat of a passion long continued and withering up the soul of a man is the craving for identity with the woman that he loves. He desires to see with the same eyes, to touch with the same sense of touch, to hear with the same ears, to lose his identity, to be enveloped, to be supported. For, whatever may be said of the relation of the sexes, there is no man who loves a woman that does not desire to come to her for the renewal of his courage, for the cutting asunder of his difficulties. And that will be the mainspring of his desire for her. We are all so afraid, we are all so alone, we all so need from the outside the assurance of our own worthiness to exist.

     So, for a time, if such a passion come to fruition, the man will get what he wants. He will get the moral support, the encouragement, the relief from the sense of loneliness, the assurance of his own worth. But these things pass away; inevitably they pass away as the shadows pass across sundials. It is sad, but it is so. The pages of the book will become familiar; the beautiful corner of the road will have been turned too many times. Well, this is the saddest story.

     And yet I do believe that for every man there comes at last a woman--or no, that is the wrong way of formulating it. For every man there comes at last a time of life when the woman who then sets her seal upon his imagination has set her seal for good. He will travel over no more horizons; he will never again set the knapsack over his shoulders; he will retire from those scenes. He will have gone out of the business.

     That at any rate was the case with Edward and the poor girl. It was quite literally the case. It was quite literally the case that his passions--for the mistress of the Grand Duke, for Mrs Basil, for little Mrs Maidan, for Florence, for whom you will--these passions were merely preliminary canters compared to his final race with death for her. I am certain of that. I am not going to be so American as to say that all true love demands some sacrifice. It doesn't. But I think that love will be truer and more permanent in which self-sacrifice has been exacted. And, in the case of the other women, Edward just cut in and cut them out as he did with the polo-ball from under the nose of Count Baron von Lelöffel. I don't mean to say that he didn't wear himself as thin as a lath in the endeavour to capture the other women; but over her he wore himself to rags and tatters and death--in the effort to leave her alone.

     And, in speaking to her on that night, he wasn't, I am convinced, committing a baseness. It was as if his passion for her hadn't existed; as if the very words that he spoke, without knowing that he spoke them, created the passion as they went along. Before he spoke, there was nothing; afterwards, it was the integral fact of his life. Well, I must get back to my story.

     And my story was concerning itself with Florence--with Florence, who heard those words from behind the tree. That of course is only conjecture, but I think the conjecture is pretty well justified. You have the fact that those two went out, that she followed them almost immediately afterwards through the darkness and, a little later, she came running back to the hotel with that pallid face and the hand clutching her dress over her heart. It can't have been only Bagshawe. Her face was contorted with agony before ever her eyes fell upon me or upon him beside me. But I dare say Bagshawe may have been the determining influence in her suicide. Leonora says that she had that flask, apparently of nitrate of amyl, but actually of prussic acid, for many years and that she was determined to use it if ever I discovered the nature of her relationship with that fellow Jimmy. You see, the mainspring of her nature must have been vanity. There is no reason why it shouldn't have been; I guess it is vanity that makes most of us keep straight, if we do keep straight, in this world.

     If it had been merely a matter of Edward's relations with the girl I dare say Florence would have faced it out. She would no doubt have made him scenes, have threatened him, have appealed to his sense of humour, to his promises. But Mr Bagshawe and the fact that the date was the 4th of August must have been too much for her superstitious mind. You see, she had two things that she wanted. She wanted to be a great lady, installed in Branshaw Teleragh. She wanted also to retain my respect.

     She wanted, that is to say, to retain my respect for as long as she lived with me. I suppose, if she had persuaded Edward Ashburnham to bolt with her she would have let the whole thing go with a run. Or perhaps she would have tried to exact from me a new respect for the greatness of her passion on the lines of all for love and the world well lost. That would be just like Florence.

     In all matrimonial associations there is, I believe, one constant factor --a desire to deceive the person with whom one lives as to some weak spot in one's character or in one's career. For it is intolerable to live constantly with one human being who perceives one's small meannesses. It is really death to do so--that is why so many marriages turn out unhappily.

     I, for instance, am a rather greedy man; I have a taste for good cookery and a watering tooth at the mere sound of the names of certain comestibles. If Florence had discovered this secret of mine I should have found her knowledge of it so unbearable that I never could have supported all the other privations of the régime that she extracted from me. I am bound to say that Florence never discovered this secret.

     Certainly she never alluded to it; I dare say she never took sufficient interest in me.

     And the secret weakness of Florence--the weakness that she could not bear to have me discover, was just that early escapade with the fellow called Jimmy. Let me, as this is in all probability the last time I shall mention Florence's name, dwell a little upon the change that had taken place in her psychology. She would not, I mean, have minded if I had discovered that she was the mistress of Edward Ashburnham. She would rather have liked it. Indeed, the chief trouble of poor Leonora in those days was to keep Florence from making, before me, theatrical displays, on one line or another, of that very fact. She wanted, in one mood, to come rushing to me, to cast herself on her knees at my feet and to declaim a carefully arranged, frightfully emotional, outpouring as to her passion. That was to show that she was like one of the great erotic women of whom history tells us. In another mood she would desire to come to me disdainfully and to tell me that I was considerably less than a man and that what had happened was what must happen when a real male came along. She wanted to say that in cool, balanced and sarcastic sentences. That was when she wished to appear like the heroine of a French comedy. Because of course she was always play acting.

     But what she didn't want me to know was the fact of her first escapade with the fellow called Jimmy. She had arrived at figuring out the sort of low-down Bowery tough that that fellow was. Do you know what it is to shudder, in later life, for some small, stupid action--usually for some small, quite genuine piece of emotionalism--of your early life? Well, it was that sort of shuddering that came over Florence at the thought that she had surrendered to such a low fellow. I don't know that she need have shuddered. It was her footing old uncle's work; he ought never to have taken those two round the world together and shut himself up in his cabin for the greater part of the time. Anyhow, I am convinced that the sight of Mr Bagshawe and the thought that Mr Bagshawe--for she knew that unpleasant and toadlike personality--the thought that Mr Bagshawe would almost certainly reveal to me that he had caught her coming out of Jimmy's bedroom at five o'clock in the morning on the 4th of August, 1900--that was the determining influence in her suicide. And no doubt the effect of the date was too much for her superstitious personality. She had been born on the 4th of August; she had started to go round the world on the 4th of August; she had become a low fellow's mistress on the 4th of August. On the same day of the year she had married me; on that 4th she had lost Edward's love, and Bagshawe had appeared like a sinister omen--like a grin on the face of Fate. It was the last straw. She ran upstairs, arranged herself decoratively upon her bed--she was a sweetly pretty woman with smooth pink and white cheeks, long hair, the eyelashes falling like a tiny curtain on her cheeks. She drank the little phial of prussic acid and there she lay.--Oh, extremely charming and clear-cut--looking with a puzzled expression at the electric-light bulb that hung from the ceiling, or perhaps through it, to the stars above. Who knows? Anyhow, there was an end of Florence.

     You have no idea how quite extraordinarily for me that was the end of Florence. From that day to this I have never given her another thought; I have not bestowed upon her so much as a sigh. Of course, when it has been necessary to talk about her to Leonora, or when for the purpose of these writings I have tried to figure her out, I have thought about her as I might do about a problem in algebra. But it has always been as a matter for study, not for remembrance. She just went completely out of existence, like yesterday's paper.

     I was so deadly tired. And I dare say that my week or ten days of affaissement--of what was practically catalepsy--was just the repose that my exhausted nature claimed after twelve years of the repression of my instincts, after twelve years of playing the trained poodle. For that was all that I had been. I suppose that it was the shock that did it--the several shocks. But I am unwilling to attribute my feelings at that time to anything so concrete as a shock. It was a feeling so tranquil. It was as if an immensely heavy--an unbearably heavy knapsack, supported upon my shoulders by straps, had fallen off and left my shoulders themselves that the straps had cut into, numb and without sensation of life. I tell you, I had no regret. What had I to regret? I suppose that my inner soul--my dual personality--had realized long before that Florence was a personality of paper--that she represented a real human being with a heart, with feelings, with sympathies and with emotions only as a bank-note represents a certain quantity of gold. I know that sort of feeling came to the surface in me the moment the man Bagshawe told me that he had seen her coming out of that fellow's bedroom. I thought suddenly that she wasn't real; she was just a mass of talk out of guidebooks, of drawings out of fashion-plates. It is even possible that, if that feeling had not possessed me, I should have run up sooner to her room and might have prevented her drinking the prussic acid. But I just couldn't do it; it would have been like chasing a scrap of paper--an occupation ignoble for a grown man.

     And, as it began, so that matter has remained. I didn't care whether she had come out of that bedroom or whether she hadn't. It simply didn't interest me. Florence didn't matter.

     I suppose you will retort that I was in love with Nancy Rufford and that my indifference was therefore discreditable. Well, I am not seeking to avoid discredit. I was in love with Nancy Rufford as I am in love with the poor child's memory, quietly and quite tenderly in my American sort of way. I had never thought about it until I heard Leonora state that I might now marry her. But, from that moment until her worse than death, I do not suppose that I much thought about anything else. I don't mean to say that I sighed about her or groaned; I just wanted to marry her as some people want to go to Carcassonne.

     Do you understand the feeling--the sort of feeling that you must get certain matters out of the way, smooth out certain fairly negligible complications before you can go to a place that has, during all your life, been a sort of dream city? I didn't attach much importance to my superior years. I was forty-five, and she, poor thing, was only just rising twenty-two. But she was older than her years and quieter. She seemed to have an odd quality of sainthood, as if she must inevitably end in a convent with a white coif framing her face. But she had frequently told me that she had no vocation; it just simply wasn't there--the desire to become a nun. Well, I guess that I was a sort of convent myself; it seemed fairly proper that she should make her vows to me.

     No, I didn't see any impediment on the score of age. I dare say no man does and I was pretty confident that with a little preparation, I could make a young girl happy. I could spoil her as few young girls have ever been spoiled; and I couldn't regard myself as personally repulsive. No man can, or if he ever comes to do so, that is the end of him. But, as soon as I came out of my catalepsy, I seemed to perceive that my problem--that what I had to do to prepare myself for getting into contact with her, was just to get back into contact with life. I had been kept for twelve years in a rarefied atmosphere; what I then had to do was a little fighting with real life, some wrestling with men of business, some travelling amongst larger cities, something harsh, something masculine. I didn't want to present myself to Nancy Rufford as a sort of an old maid. That was why, just a fortnight after Florence's suicide, I set off for the United States.


II

     IMMEDIATELY after Florence's death Leonora began to put the leash upon Nancy Rufford and Edward. She had guessed what had happened under the trees near the Casino. They stayed at Nauheim some weeks after I went, and Leonora has told me that that was the most deadly time of her existence. It seemed like a long, silent duel with invisible weapons, so she said. And it was rendered all the more difficult by the girl's entire innocence. For Nancy was always trying to go off alone with Edward--as she had been doing all her life, whenever she was home for holidays. She just wanted him to say nice things to her again.

     You see, the position was extremely complicated. It was as complicated as it well could be, along delicate lines. There was the complication caused by the fact that Edward and Leonora never spoke to each other except when other people were present. Then, as I have said, their demeanours were quite perfect. There was the complication caused by the girl's entire innocence; there was the further complication that both Edward and Leonora really regarded the girl as their daughter. Or it might be more precise to say that they regarded her as being Leonora's daughter. And Nancy was a queer girl; it is very difficult to describe her to you.

     She was tall and strikingly thin; she had a tortured mouth, agonized eyes, and a quite extraordinary sense of fun. You, might put it that at times she was exceedingly grotesque and at times extraordinarily beautiful. Why, she had the heaviest head of black hair that I have ever come across; I used to wonder how she could bear the weight of it. She was just over twenty-one and at times she seemed as old as the hills, at times not much more than sixteen. At one moment she would be talking of the lives of the saints and at the next she would be tumbling all over the lawn with the St Bernard puppy. She could ride to hounds like a Maenad and she could sit for hours perfectly still, steeping handkerchief after handkerchief in vinegar when Leonora had one of her headaches. She was, in short, a miracle of patience who could be almost miraculously impatient. It was, no doubt, the convent training that effected that. I remember that one of her letters to me, when she was about sixteen, ran something like:

     "On Corpus Christi"--or it may have been some other saint's day, I cannot keep these things in my head--"our school played Roehampton at Hockey. And, seeing that our side was losing, being three goals to one against us at halftime, we retired into the chapel and prayed for victory. We won by five goals to three." And I remember that she seemed to describe afterwards a sort of saturnalia. Apparently, when the victorious fifteen or eleven came into the refectory for supper, the whole school jumped upon the tables and cheered and broke the chairs on the floor and smashed the crockery--for a given time, until the Reverend Mother rang a hand-bell. That is of course the Catholic tradition--saturnalia that can end in a moment, like the crack of a whip. I don't, of course, like the tradition, but I am bound to say that it gave Nancy--or at any rate Nancy had--a sense of rectitude that I have never seen surpassed. It was a thing like a knife that looked out of her eyes and that spoke with her voice, just now and then. It positively frightened me. I suppose that I was almost afraid to be in a world where there could be so fine a standard. I remember when she was about fifteen or sixteen on going back to the convent I once gave her a couple of English sovereigns as a tip. She thanked me in a peculiarly heartfelt way, saying that it would come in extremely handy. I asked her why and she explained. There was a rule at the school that the pupils were not to speak when they walked through the garden from the chapel to the refectory. And, since this rule appeared to be idiotic and arbitrary, she broke it on purpose day after day. In the evening the children were all asked if they had committed any faults during the day, and every evening Nancy confessed that she had broken this particular rule. It cost her sixpence a time, that being the fine attached to the offence. Just for the information I asked her why she always confessed, and she answered in these exact words:

     "Oh, well, the girls of the Holy Child have always been noted for their truthfulness. It's a beastly bore, but I've got to do it."

     I dare say that the miserable nature of her childhood, coming before the mixture of saturnalia and discipline that was her convent life, added something to her queernesses. Her father was a violent madman of a fellow, a major of one of what I believe are called the Highland regiments. He didn't drink, but he had an ungovernable temper, and the first thing that Nancy could remember was seeing her father strike her mother with his clenched fist so that her mother fell over sideways from the breakfast-table and lay motionless. The mother was no doubt an irritating woman and the privates of that regiment appeared to have been irritating, too, so that the house was a place of outcries and perpetual disturbances. Mrs Rufford was Leonora's dearest friend and Leonora could be cutting enough at times. But I fancy she was as nothing to Mrs Rufford. The Major would come in to lunch harassed and already spitting out oaths after an unsatisfactory morning's drilling of his stubborn men beneath a hot sun. And then Mrs Rufford would make some cutting remark and pandemonium would break loose. Once, when she had been about twelve, Nancy had tried to intervene between the pair of them. Her father had struck her full upon the forehead a blow so terrible that she had lain unconscious for three days. Nevertheless, Nancy seemed to prefer her father to her mother. She remembered rough kindnesses from him. Once or twice when she had been quite small he had dressed her in a clumsy, impatient, but very tender way. It was nearly always impossible to get a servant to stay in the family and, for days at a time, apparently, Mrs Rufford would be incapable. I fancy she drank. At any rate, she had so cutting a tongue that even Nancy was afraid of her--she so made fun of any tenderness, she so sneered at all emotional displays. Nancy must have been a very emotional child.

     Then one day, quite suddenly, on her return from a ride at Fort William, Nancy had been sent, with her governess, who had a white face, right down South to that convent school. She had been expecting to go there in two months' time. Her mother disappeared from her life at that time. A fortnight later Leonora came to the convent and told her that her mother was dead. Perhaps she was. At any rate, I never heard until the very end what became of Mrs Rufford. Leonora never spoke of her.

     And then Major Rufford went to India, from which he returned very seldom and only for very short visits; and Nancy lived herself gradually into the life at Branshaw Teleragh. I think that, from that time onwards, she led a very happy life, till the end. There were dogs and horses and old servants and the Forest. And there were Edward and Leonora, who loved her.

     I had known her all the time--I mean, that she always came to the Ashburnhams' at Nauheim for the last fortnight of their stay--and I watched her gradually growing. She was very cheerful with me. She always even kissed me, night and morning, until she was about eighteen. And she would skip about and fetch me things and laugh at my tales of life in Philadelphia. But, beneath her gaiety, I fancy that there lurked some terrors. I remember one day, when she was just eighteen, during one of her father's rare visits to Europe, we were sitting in the gardens, near the iron-stained fountain. Leonora had one of her headaches and we were waiting for Florence and Edward to come from their baths. You have no idea how beautiful Nancy looked that morning.

     We were talking about the desirability of taking tickets in lotteries--of the moral side of it, I mean. She was all in white, and so tall and fragile; and she had only just put her hair up, so that the carriage of her neck had that charming touch of youth and of unfamiliarity. Over her throat there played the reflection from a little pool of water, left by a thunderstorm of the night before, and all the rest of her features were in the diffused and luminous shade of her white parasol. Her dark hair just showed beneath her broad, white hat of pierced, chip straw; her throat was very long and leaned forward, and her eyebrows, arching a little as she laughed at some old-fashionedness in my phraseology, had abandoned their tense line. And there was a little colour in her cheeks and light in her deep blue eyes. And to think that that vivid white thing, that saintly and swanlike being--to think that. . . Why, she was like the sail of a ship, so white and so definite in her movements. And to think that she will never . . . Why, she will never do anything again. I can't believe it . . .

     Anyhow, we were chattering away about the morality of lotteries. And then, suddenly, there came from the arcades behind us the overtones of her father's unmistakable voice; it was as if a modified foghorn had boomed with a reed inside it. I looked round to catch sight of him. A tall, fair, stiffly upright man of fifty, he was walking away with an Italian baron who had had much to do with the Belgian Congo. They must have been talking about the proper treatment of natives, for I heard him say:

     "Oh, hang humanity!"

     When I looked again at Nancy her eyes were closed and her face was more pallid than her dress, which had at least some pinkish reflections from the gravel. It was dreadful to see her with her eyes closed like that.

     "Oh!" she exclaimed, and her hand that had appeared to be groping, settled for a moment on my arm. "Never speak of it. Promise never to tell my father of it. It brings back those dreadful dreams . . ." And, when she opened her eyes she looked straight into mine. "The blessed saints," she said, "you would think they would spare you such things. I don't believe all the sinning in the world could make one deserve them."

     They say the poor thing was always allowed a light at night, even in her bedroom. . . . And yet, no young girl could more archly and lovingly have played with an adored father. She was always holding him by both coat lapels; cross-questioning him as to how he spent his time; kissing the top of his head. Ah, she was well-bred, if ever anyone was.

     The poor, wretched man cringed before her--but she could not have done more to put him at his ease. Perhaps she had had lessons in it at her convent. It was only that peculiar note of his voice, used when he was overbearing or dogmatic, that could unman her--and that was only visible when it came unexpectedly. That was because the bad dreams that the blessed saints allowed her to have for her sins always seemed to her to herald themselves by the booming sound of her father's voice. It was that sound that had always preceded his entrance for the terrible lunches of her childhood. . . .

     I have reported, earlier in this chapter, that Leonora said, during that remainder of their stay at Nauheim, after I had left, it had seemed to her that she was fighting a long duel with unseen weapons against silent adversaries. Nancy, as I have also said, was always trying to go off with Edward alone. That had been her habit for years. And Leonora found it to be her duty to stop that. It was very difficult. Nancy was used to having her own way, and for years she had been used to going off with Edward, ratting, rabbiting, catching salmon down at Fordingbridge, district-visiting of the sort that Edward indulged in, or calling on the tenants. And at Nauheim she and Edward had always gone up to the Casino alone in the evenings--at any rate, whenever Florence did not call for his attendance. It shows the obviously innocent nature of the regard of those two that even Florence had never had any idea of jealousy. Leonora had cultivated the habit of going to bed at ten o'clock.

     I don't know how she managed it, but, for all the time they were at Nauheim, she contrived never to let those two be alone together, except in broad daylight, in very crowded places. If a Protestant had done that it would no doubt have awakened a self-consciousness in the girl. But Catholics, who have always reservations and queer spots of secrecy, can manage these things better. And I dare say that two things made this easier--the death of Florence and the fact that Edward was obviously sickening. He appeared, indeed, to be very ill; his shoulders began to be bowed; there were pockets under his eyes; he had extraordinary moments of inattention.

     And Leonora describes herself as watching him as a fierce cat watches an unconscious pigeon in a roadway. In that silent watching, again, I think she was a Catholic--of a people that can think thoughts alien to ours and keep them to themselves. And the thoughts passed through her mind; some of them even got through to Edward with never a word spoken. At first she thought that it might be remorse, or grief, for the death of Florence that was oppressing him. But she watched and watched, and uttered apparently random sentences about Florence before the girl, and she perceived that he had no grief and no remorse. He had not any idea that Florence could have committed suicide without writing at least a tirade to him. The absence of that made him certain that it had been heart disease. For Florence had never undeceived him on that point. She thought it made her seem more romantic.

     No, Edward had no remorse. He was able to say to himself that he had treated Florence with gallant attentiveness of the kind that she desired until two hours before her death. Leonora gathered that from the look in his eyes, and from the way he straightened his shoulders over her as she lay in her coffin--from that and a thousand other little things. She would speak suddenly about Florence to the girl and he would not start in the least; he would not even pay attention, but would sit with bloodshot eyes gazing at the tablecloth. He drank a good deal, at that time--a steady soaking of drink every evening till long after they had gone to bed.

     For Leonora made the girl go to bed at ten, unreasonable though that seemed to Nancy. She would understand that, whilst they were in a sort of half mourning for Florence, she ought not to be seen at public places, like the Casino; but she could not see why she should not accompany her uncle upon his evening strolls though the park. I don't know what Leonora put up as an excuse--something, I fancy, in the nature of a nightly orison that she made the girl and herself perform for the soul of Florence. And then, one evening, about a fortnight later, when the girl, growing restive at even devotional exercises, clamoured once more to be allowed to go for a walk with Edward, and when Leonora was really at her wits' end, Edward gave himself into her hands. He was just standing up from dinner and had his face averted.

     But he turned his heavy head and his bloodshot eyes upon his wife and looked full at her.

     "Doctor von Hauptmann," he said, "has ordered me to go to bed immediately after dinner. My heart's much worse."

     He continued to look at Leonora for a long minute--with a sort of heavy contempt. And Leonora understood that, with his speech, he was giving her the excuse that she needed for separating him from the girl, and with his eyes he was reproaching her for thinking that he would try to corrupt Nancy.

     He went silently up to his room and sat there for a long time--until the girl was well in bed--reading in the Anglican prayer-book. And about half-past ten she heard his footsteps pass her door, going outwards. Two and a half hours later they came back, stumbling heavily.

     She remained, reflecting upon this position until the last night of their stay at Nauheim. Then she suddenly acted. For, just in the same way, suddenly after dinner, she looked at him and said:

     "Teddy, don't you think you could take a night off from your doctor's orders and go with Nancy to the Casino. The poor child has had her visit so spoiled."

     He looked at her in turn for a long, balancing minute.

     "Why, yes," he said at last.

     Nancy jumped out of her chair and kissed him.

     Those two words, Leonora said, gave her the greatest relief of any two syllables she had ever heard in her life. For she realized that Edward was breaking up, not under the desire for possession, but from the dogged determination to hold his hand. She could relax some of her vigilance.

     Nevertheless, she sat in the darkness behind her half-closed jalousies, looking over the street and the night and the trees until, very late, she could hear Nancy's clear voice coming closer and saying:

     "You did look an old guy with that false nose."

     There had been some sort of celebration of a local holiday up in the Kursaal. And Edward replied with his sort of sulky good nature:

     "As for you, you looked like old Mother Sideacher."

     The girl came swinging along, a silhouette beneath a gas-lamp; Edward, another, slouched at her side. They were talking just as they had talked any time since the girl had been seventeen; with the same tones, the same joke about an old beggar woman who always amused them at Branshaw. The girl, a little later, opened Leonora's door whilst she was still kissing Edward on the forehead as she had done every night.

     "We've had a most glorious time," she said. "He's ever so much better. He raced me for twenty yards home. Why are you all in the dark?"

     Leonora could hear Edward going about in his room, but, owing to the girl's chatter, she could not tell whether he went out again or not. And then, very much later, because she thought that if he were drinking again something must be done to stop it, she opened for the first time, and very softly, the never-opened door between their rooms. She wanted to see if he had gone out again. Edward was kneeling beside his bed with his head hidden in the counterpane. His arms, outstretched, held out before him a little image of the Blessed Virgin--a tawdry, scarlet and Prussian blue affair that the girl had given him on her first return from the convent. His shoulders heaved convulsively three times, and heavy sobs came from him before she could close the door. He was not a Catholic; but that was the way it took him.

     Leonora slept for the first time that night with a sleep from which she never once started.


III

     AND then Leonora completely broke down--on the day that they returned to Branshaw Teleragh. It is the infliction of our miserable minds--it is the scourge of atrocious but probably just destiny that no grief comes by itself. No, any great grief, though the grief itself may have gone, leaves in its place a train of horrors, of misery, and despair. For Leonora was, in herself, relieved. She felt that she could trust Edward with the girl and she knew that Nancy could be absolutely trusted. And then, with the slackening of her vigilance, came the slackening of her entire mind. This is perhaps the most miserable part of the entire story. For it is miserable to see a clean intelligence waver; and Leonora wavered.

     You are to understand that Leonora loved Edward with a passion that was yet like an agony of hatred. And she had lived with him for years and years without addressing to him one word of tenderness. I don't know how she could do it. At the beginning of that relationship she had been just married off to him. She had been one of seven daughters in a bare, untidy Irish manor-house to which she had returned from the convent I have so often spoken of. She had left it just a year and she was just nineteen. It is impossible to imagine such inexperience as was hers. You might almost say that she had never spoken to a man except a priest. Coming straight from the convent, she had gone in behind the high walls of the manor-house that was almost more cloistral than any convent could have been. There were the seven girls, there was the strained mother, there was the worried father at whom, three times in the course of that year, the tenants took pot-shots from behind a hedge. The women-folk, upon the whole, the tenants respected. Once a week each of the girls, since there were seven of them, took a drive with the mother in the old basketwork chaise drawn by a very fat, very lumbering pony. They paid occasionally a call, but even these were so rare that, Leonora has assured me, only three times in the year that succeeded her coming home from the convent did she enter another person's house. For the rest of the time the seven sisters ran about in the neglected gardens between the unpruned espaliers. Or they played lawn-tennis or fives in an angle of a great wall that surrounded the garden--an angle from which the fruit trees had long died away. They painted in water-colour; they embroidered; they copied verses into albums. Once a week they went to Mass; once a week to the confessional, accompanied by an old nurse. They were happy since they had known no other life.

     It appeared to them a singular extravagance when, one day, a photographer was brought over from the county town and photographed them standing, all seven, in the shadow of an old apple tree with the grey lichen on the raddled trunk.

     But it wasn't an extravagance.

     Three weeks before Colonel Powys had written to Colonel Ashburnham:

     "I say, Harry, couldn't your Edward marry one of my girls? It would be a god-send to me, for I'm at the end of my tether and, once one girl begins to go off, the rest of them will follow."

     He went on to say that all his daughters were tall, upstanding, clean-limbed and absolutely pure, and he reminded Colonel Ashburnham that, they having been married on the same day, though in different churches, since the one was a Catholic and the other an Anglican--they had said to each other, the night before, that, when the time came, one of their sons should marry one of their daughters. Mrs Ashburnham had been a Powys and remained Mrs Powys' dearest friend. They had drifted about the world as English soldiers do, seldom meeting, but their women always in correspondence one with another. They wrote about minute things such as the teething of Edward and of the earlier daughters or the best way to repair a Jacob's ladder in a stocking. And, if they met seldom, yet it was often enough to keep each other's personalities fresh in their minds, gradually growing a little stiff in the joints, but always with enough to talk about and with a store of reminiscences. Then, as his girls began to come of age when they must leave the convent in which they were regularly interned during his years of active service, Colonel Powys retired from the army with the necessity of making a home for them. It happened that the Ashburnhams had never seen any of the Powys girls, though, whenever the four parents met in London, Edward Ashburnham was always of the party. He was at that time twenty-two and, I believe, almost as pure in mind as Leonora herself. It is odd how a boy can have his virgin intelligence untouched in this world.

     That was partly due to the careful handling of his mother, partly to the fact that the house to which he went at Winchester had a particularly pure tone and partly to Edward's own peculiar aversion from anything like coarse language or gross stories. At Sandhurst he had just kept out of the way of that sort of thing. He was keen on soldiering, keen on mathematics, on land-surveying, on politics and, by a queer warp of his mind, on literature. Even when he was twenty-two he would pass hours reading one of Scott's novels or the Chronicles of Froissart.

     Mrs Ashburnham considered that she was to be congratulated, and almost every week she wrote to Mrs Powys, dilating upon her satisfaction.

     Then, one day, taking a walk down Bond Street with her son, after having been at Lord's, she noticed Edward suddenly turn his head round to take a second look at a well-dressed girl who had passed them. She wrote about that, too, to Mrs Powys, and expressed some alarm. It had been, on Edward's part, the merest reflex action. He was so very abstracted at that time owing to the pressure his crammer was putting upon him that he certainly hadn't known what he was doing.

     It was this letter of Mrs Ashburnham's to Mrs Powys that had caused the letter from Colonel Powys to Colonel Ashburnham--a letter that was half-humorous, half longing. Mrs Ashburnham caused her husband to reply, with a letter a little more jocular--something to the effect that Colonel Powys ought to give them some idea of the goods that he was marketing. That was the cause of the photograph. I have seen it, the seven girls, all in white dresses, all very much alike in feature--all, except Leonora, a little heavy about the chins and a little stupid about the eyes. I dare say it would have made Leonora, too, look a little heavy and a little stupid, for it was not a good photograph. But the black shadow from one of the branches of the apple tree cut right across her face, which is all but invisible.

     There followed an extremely harassing time for Colonel and Mrs Powys. Mrs Ashburnham had written to say that, quite sincerely, nothing would give greater ease to her maternal anxieties than to have her son marry one of Mrs Powys' daughters if only he showed some inclination to do so. For, she added, nothing but a love-match was to be thought of in her Edward's case. But the poor Powys couple had to run things so very fine that even the bringing together of the young people was a desperate hazard.

     The mere expenditure upon sending one of the girls over from Ireland to Branshaw was terrifying to them; and whichever girl they selected might not be the one to ring Edward's bell. On the other hand, the expenditure upon mere food and extra sheets for a visit from the Ashburnhams to them was terrifying, too. It would mean, mathematically, going short in so many meals themselves, afterwards. Nevertheless, they chanced it, and all the three Ashburnhams came on a visit to the lonely manor-house. They could give Edward some rough shooting, some rough fishing and a whirl of femininity; but I should say the girls made really more impression upon Mrs Ashburnham than upon Edward himself. They appeared to her to be so clean run and so safe. They were indeed so clean run that, in a faint sort of way, Edward seems to have regarded them rather as boys than as girls. And then, one evening, Mrs Ashburnham had with her boy one of those conversations that English mothers have with English sons. It seems to have been a criminal sort of proceeding, though I don't know what took place at it. Anyhow, next morning Colonel Ashburnham asked on behalf of his son for the hand of Leonora. This caused some consternation to the Powys couple, since Leonora was the third daughter and Edward ought to have married the eldest. Mrs Powys, with her rigid sense of the proprieties, almost wished to reject the proposal. But the Colonel, her husband, pointed out that the visit would have cost them sixty pounds, what with the hire of an extra servant, of a horse and car, and with the purchase of beds and bedding and extra tablecloths. There was nothing else for it but the marriage. In that way Edward and Leonora became man and wife.

     I don't know that a very minute study of their progress towards complete disunion is necessary. Perhaps it is. But there are many things that I cannot well make out, about which I cannot well question Leonora, or about which Edward did not tell me. I do not know that there was ever any question of love from Edward to her. He regarded her, certainly, as desirable amongst her sisters. He was obstinate to the extent of saying that if he could not have her he would not have any of them. And, no doubt, before the marriage, he made her pretty speeches out of books that he had read. But, as far as he could describe his feelings at all, later, it seems that, calmly and without any quickening of the pulse, he just carried the girl off, there being no opposition . It had, however, been all so long ago that it seemed to him, at the end of his poor life, a dim and misty affair. He had the greatest admiration for Leonora.

     He had the very greatest admiration. He admired her for her truthfulness, for her cleanness of mind, and the clean-run-ness of her limbs, for her efficiency, for the fairness of her skin, for the gold of her hair, for her religion, for her sense of duty. It was a satisfaction to take her about with him.

     But she had not for him a touch of magnetism. I suppose, really, he did not love her because she was never mournful; what really made him feel good in life was to comfort somebody who would be darkly and mysteriously mournful. That he had never had to do for Leonora. Perhaps, also, she was at first too obedient. I do not mean to say that she was submissive-- that she deferred, in her j udgements, to his. She did not. But she had been handed over to him, like some patient medieval virgin; she had been taught all her life that the first duty of a woman is to obey. And there she was.

     In her, at least, admiration for his qualities very soon became love of the deepest description. If his pulses never quickened she, so I have been told, became what is called an altered being when he approached her from the other side of a dancing-floor. Her eyes followed him about full of trustfulness, of admiration, of gratitude, and of love. He was also, in a great sense, her pastor and guide--and he guided her into what, for a girl straight out of a convent, was almost heaven. I have not the least idea of what an English officer's wife's existence may be like. At any rate, there were feasts, and chatterings, and nice men who gave her the right sort of admiration, and nice women who treated her as if she had been a baby. And her confessor approved of her life, and Edward let her give little treats to the girls of the convent she had left, and the Reverend Mother approved of him. There could not have been a happier girl for five or six years.

     For it was only at the end of that time that clouds began, as the saying is, to arise. She was then about twenty-three, and her purposeful efficiency made her perhaps have a desire for mastery. She began to perceive that Edward was extravagant in his largesses. His parents died just about that time, and Edward, though they both decided that he should continue his soldiering, gave a great deal of attention to the management of Branshaw through a steward. Aldershot was not very far away, and they spent all his leaves there.

     And, suddenly, she seemed to begin to perceive that his generosities were almost fantastic. He subscribed much too much to things connected with his mess, he pensioned off his father's servants, old or new, much too generously. They had a large income, but every now and then they would find themselves hard up. He began to talk of mortgaging a farm or two, though it never actually came to that.

     She made tentative efforts at remonstrating with him. Her father, whom she saw now and then, said that Edward was much too generous to his tenants; the wives of his brother officers remonstrated with her in private; his large subscriptions made it difficult for their husbands to keep up with them. Ironically enough, the first real trouble between them came from his desire to build a Roman Catholic chapel at Branshaw. He wanted to do it to honour Leonora, and he proposed to do it very expensively. Leonora did not want it; she could perfectly well drive from Branshaw to the nearest Catholic Church as often as she liked. There were no Roman Catholic tenants and no Roman Catholic servants except her old nurse who could always drive with her. She had as many priests to stay with her as could be needed--and even the priests did not want a gorgeous chapel in that place where it would have merely seemed an invidious instance of ostentation. They were perfectly ready to celebrate Mass for Leonora and her nurse, when they stayed at Branshaw, in a cleaned-up outhouse. But Edward was as obstinate as a hog about it.

     He was truly grieved at his wife's want of sentiment--at her refusal to receive that amount of public homage from him. She appeared to him to be wanting in imagination--to be cold and hard. I don't exactly know what part her priests played in the tragedy that it all became; I dare say they behaved quite creditably but mistakenly. But then, who would not have been mistaken with Edward? I believe he was even hurt that Leonora's confessor did not make strenuous efforts to convert him. There was a period when he was quite ready to become an emotional Catholic.

     I don't know why they did not take him on the hop; but they have queer sorts of wisdoms, those people, and queer sorts of tact. Perhaps they thought that Edward's too early conversion would frighten off other Protestant desirables from marrying Catholic girls. Perhaps they saw deeper into Edward than he saw himself and thought that he would make a not very creditable convert. At any rate they--and Leonora--left him very much alone. It mortified him very considerably. He has told me that if Leonora had then taken his aspirations seriously everything would have been different. But I dare say that was nonsense.

     At any rate, it was over the question of the chapel that they had their first and really disastrous quarrel. Edward at that time was not well; he supposed himself to be overworked with his regimental affairs--he was managing the mess at the time. And Leonora was not well--she was beginning to fear that their union might be sterile. And then her father came over from Glasmoyle to stay with them.

     Those were troublesome times in Ireland, I understand. At any rate, Colonel Powys had tenants on the brain--his own tenants having shot at him with shot-guns. And, in conversation with Edward's land-steward, he got it into his head that Edward managed his estates with a mad generosity towards his tenants. I understand, also, that those years--the 'nineties--were very bad for farming. Wheat was fetching only a few shillings the hundred; the price of meat was so low that cattle hardly paid for raising; whole English counties were ruined. And Edward allowed his tenants very high rebates.

     To do both justice Leonora has since acknowledged that she was in the wrong at that time and that Edward was following out a more far-seeing policy in nursing his really very good tenants over a bad period. It was not as if the whole of his money came from the land; a good deal of it was in rails. But old Colonel Powys had that bee in his bonnet and, if he never directly approached Edward himself on the subject, he preached unceasingly, whenever he had the opportunity, to Leonora. His pet idea was that Edward ought to sack all his own tenants and import a set of farmers from Scotland. That was what they were doing in Essex. He was of opinion that Edward was riding hotfoot to ruin.

     That worried Leonora very much--it worried her dreadfully; she lay awake nights; she had an anxious line round her mouth. And that, again, worried Edward. I do not mean to say that Leonora actually spoke to Edward about his tenants--but he got to know that some one, probably her father, had been talking to her about the matter. He got to know it because it was the habit of his steward to look in on them every morning about breakfast-time to report any little happenings. And there was a farmer called Mumford who had only paid half his rent for the last three years. One morning the land-steward reported that Mumford would be unable to pay his rent at all that year. Edward reflected for a moment and then he said something like:

     "Oh well, he's an old fellow and his family have been our tenants for over two hundred years. Let him off altogether."

     And then Leonora--you must remember that she had reason for being very nervous and unhappy at that time--let out a sound that was very like a groan. It startled Edward, who more than suspected what was passing in her mind--it startled him into a state of anger. He said sharply:

     "You wouldn't have me turn out people who've been earning money for us for centuries--people to whom we have responsibilities--and let in a pack of Scotch farmers?"

     He looked at her, Leonora said, with what was practically a glance of hatred and then, precipitately, he left the breakfast-table. Leonora knew that it probably made it all the worse that he had been betrayed into a manifestation of anger before a third party. It was the first and last time that he ever was betrayed into such a manifestation of anger. The land-steward, a moderate and well-balanced man whose family also had been with the Ashburnhams for over a century, took it upon himself to explain that he considered Edward was pursuing a perfectly proper course with his tenants. He erred perhaps a little on the side of generosity, but hard times were hard times, and every one had to feel the pinch, landlord as well as tenants. The great thing was not to let the land get into a poor state of cultivation. Scotch farmers just skinned your fields and let them go down and down. But Edward had a very good set of tenants who did their best for him and for themselves. These arguments at that time carried very little conviction to Leonora. She was, nevertheless, much concerned by Edward's outburst of anger.

     The fact is that Leonora had been practising economies in her department. Two of the under-housemaids had gone and she had not replaced them; she had spent much less that year upon dress. The fare she had provided at the dinners they gave had been much less bountiful and not nearly so costly as had been the case in preceding years, and Edward began to perceive a hardness and determination in his wife's character. He seemed to see a net closing round him--a net in which they would be forced to live like one of the comparatively poor county families of the neighbourhood. And, in the mysterious way in which two people, living together, get to know each other's thoughts without a word spoken, he had known, even before his outbreak, that Leonora was worrying about his managing of the estates. This appeared to him to be intolerable. He had, too, a great feeling of self-contempt because he had been betrayed into speaking harshly to Leonora before that land-steward. She imagined that his nerve must be deserting him, and there can have been few men more miserable than Edward was at that period.

     You see, he was really a very simple soul--very simple. He imagined that no man can satisfactorily accomplish his life's work without loyal and whole-hearted cooperation of the woman he lives with. And he was beginning to perceive dimly that, whereas his own traditions were entirely collective, his wife was a sheer individualist. His own theory--the feudal theory of an over-lord doing his best by his dependents, the dependents meanwhile doing their best for the over-lord--this theory was entirely foreign to Leonora's nature. She came of a family of small Irish landlords--that hostile garrison in a plundered country. And she was thinking unceasingly of the children she wished to have.

     I don't know why they never had any children--not that I really believe that children would have made any difference. The dissimilarity of Edward and Leonora was too profound. It will give you some idea of the extraordinary naïveté of Edward Ashburnham that, at the time of his marriage and for perhaps a couple of years after, he did not really know how children are produced. Neither did Leonora. I don't mean to say that this state of things continued, but there it was. I dare say it had a good deal of influence on their mentalities. At any rate, they never had a child. It was the Will of God.

     It certainly presented itself to Leonora as being the Will of God--as being a mysterious and awful chastisement of the Almighty. For she had discovered shortly before this period that her parents had not exacted from Edward's family the promise that any children she should bear should be brought up as Catholics. She herself had never talked of the matter with either her father, her mother, or her husband. When at last her father had let drop some words leading her to believe that that was the fact, she tried desperately to extort the promise from Edward. She encountered an unexpected obstinacy. Edward was perfectly willing that the girls should be Catholic; the boys must be Anglican. I don't understand the bearing of these things in English society. Indeed, Englishmen seem to me to be a little mad in matters of politics or of religion. In Edward it was particularly queer because he himself was perfectly ready to become a Romanist. He seemed, however, to contemplate going over to Rome himself and yet letting his boys be educated in the religion of their immediate ancestors. This may appear illogical, but I dare say it is not so illogical as it looks. Edward, that is to say, regarded himself as having his own body and soul at his own disposal. But his loyalty to the traditions of his family would not permit him to bind any future inheritors of his name or beneficiaries by the death of his ancestors. About the girls it did not so much matter. They would know other homes and other circumstances. Besides, it was the usual thing. But the boys must be given the opportunity of choosing--and they must have first of all the Anglican teaching. He was perfectly unshakable about this.

     Leonora was in an agony during all this time. You will have to remember she seriously believed that children who might be born to her went in danger, if not absolutely of damnation, at any rate of receiving false doctrine. It was an agony more terrible than she could describe. She didn't indeed attempt to describe it, but I could tell from her voice when she said, almost negligently, "I used to lie awake whole nights. It was no good my spiritual advisers trying to console me." I knew from her voice how terrible and how long those nights must have seemed and of how little avail were the consolations of her spiritual advisers. Her spiritual advisers seemed to have taken the matter a little more calmly. They certainly told her that she must not consider herself in any way to have sinned. Nay, they seem even to have extorted, to have threatened her, with a view to getting her out of what they considered to be a morbid frame of mind. She would just have to make the best of things, to influence the children when they came, not by propaganda, but by personality. And they warned her that she would be committing a sin if she continued to think that she had sinned. Nevertheless, she continued to think that she had sinned.

     Leonora could not be aware that the man whom she loved passionately and whom, nevertheless, she was beginning to try to rule with a rod of iron--that this man was becoming more and more estranged from her. He seemed to regard her as being not only physically and mentally cold, but even as being actually wicked and mean. There were times when he would almost shudder if she spoke to him. And she could not understand how he could consider her wicked or mean. It only seemed to her a sort of madness in him that he should try to take upon his own shoulders the burden of his troop, of his regiment, of his estate and of half of his country. She could not see that in trying to curb what she regarded as megalomania she was doing anything wicked. She was just trying to keep things together for the sake of the children who did not come. And, little by little, the whole of their intercourse became simply one of agonized discussion as to whether Edward should subscribe to this or that institution or should try to reclaim this or that drunkard. She simply could not see it.

     Into this really terrible position of strain, from which there appeared to be no issue, the Kilsyte case came almost as a relief. It is part of the peculiar irony of things that Edward would certainly never have kissed that nurse-maid if he had not been trying to please Leonora. Nurse-maids do not travel first-class, and, that day, Edward travelled in a third-class carriage in order to prove to Leonora that he was capable of economies. I have said that the Kilsyte case came almost as a relief to the strained situation that then existed between them. It gave Leonora an opportunity of backing him up in a whole-hearted and absolutely loyal manner. It gave her the opportunity of behaving to him as he considered a wife should behave to her husband.

     You see, Edward found himself in a railway carriage with a quite pretty girl of about nineteen. And the quite pretty girl of about nineteen, with dark hair and red cheeks and blue eyes, was quietly weeping. Edward had been sitting in his corner thinking about nothing at all. He had chanced to look at the nurse-maid; two large, pretty tears came out of her eyes and dropped into her lap. He immediately felt that he had got to do something to comfort her. That was his job in life. He was desperately unhappy himself and it seemed to him the most natural thing in the world that they should pool their sorrows. He was quite democratic; the idea of the difference in their station never seems to have occurred to him. He began to talk to her. He discovered that her young man had been seen walking out with Annie of Number 54. He moved over to her side of the carriage. He told her that the report probably wasn't true; that, after all, a young man might take a walk with Annie from Number 54 without its denoting anything very serious. And he assured me that he felt at least quite half-fatherly when he put his arm around her waist and kissed her. The girl, however, had not forgotten the difference of her station.

     All her life, by her mother, by other girls, by schoolteachers, by the whole tradition of her class she had been warned against gentlemen. She was being kissed by a gentleman. She screamed, tore herself away; sprang up and pulled a communication cord.

     Edward came fairly well out of the affair in the public estimation; but it did him, mentally, a good deal of harm.


IV

     IT is very difficult to give an all-round impression of an man. I wonder how far I have succeeded with Edward Ashburnham. I dare say I haven't succeeded at all. It is ever very difficult to see how such things matter. Was it the important point about poor Edward that he was very well built, carried himself well, was moderate at the table and led a regular life--that he had, in fact, all the virtues that are usually accounted English? Or have I in the least succeeded in conveying that he was all those things and had all those virtues? He certainly was them and had them up to the last months of his life. They were the things that one would set upon his tombstone. They will, indeed, be set upon his tombstone by his widow.

     And have I, I wonder, given the due impression of how his life was portioned and his time laid out? Because, until the very last, the amount of time taken up by his various passions was relatively small. I have been forced to write very much about his passions, but you have to consider--I should like to be able to make you consider--that he rose every morning at seven, took a cold bath, breakfasted at eight, was occupied with his regiment from nine until one; played polo or cricket with the men when it was the season for cricket, till tea-time. Afterwards he would occupy himself with the letters from his land-steward or with the affairs of his mess, till dinner-time. He would dine and pass the evening playing cards, or playing billiards with Leonora or at social functions of one kind or another. And the greater part of his life was taken up by that--by far the greater part of his life. His love-affairs, until the very end, were sandwiched in at odd moments or took place during the social evenings, the dances and dinners. But I guess I have made it hard for you, O silent listener, to get that impression. Anyhow, I hope I have not given you the idea that Edward Ashburnham was a pathological case. He wasn't. He was just a normal man and very much of a sentimentalist. I dare say the quality of his youth, the nature of his mother's influence, his ignorances, the crammings that he received at the hands of army coaches--I dare say that all these excellent influences upon his adolescence were very bad for him. But we all have to put up with that sort of thing and no doubt it is very bad for all of us. Nevertheless, the outline of Edward's life was an outline perfectly normal of the life of a hard-working, sentimental and efficient professional man.

     That question of first impressions has always bothered me a good deal-- but quite academically. I mean that, from time to time I have wondered whether it were or were not best to trust to one's first impressions in dealing with people. But I never had anybody to deal with except waiters and chambermaids and the Ashburnhams, with whom I didn't know that I was having any dealings. And, as far as waiters and chambermaids were concerned, I have generally found that my first impressions were correct enough. If my first idea of a man was that he was civil, obliging, and attentive, he generally seemed to go on being all those things. Once, however, at our Paris flat we had a maid who appeared to be charming and transparently honest. She stole, nevertheless, one of Florence's diamond rings. She did it, however, to save her young man from going to prison. So here, as somebody says somewhere, was a special case.

     And, even in my short incursion into American business life--an incursion that lasted during part of August and nearly the whole of September--I found that to rely upon first impressions was the best thing I could do. I found myself automatically docketing and labelling each man as he was introduced to me, by the run of his features and by the first words that he spoke. I can't, however, be regarded as really doing business during the time that I spent in the United States. I was just winding things up. If it hadn't been for my idea of marrying the girl I might possibly hav looked for something to do in my own country. For my experiences there were vivid and amusing. It was exactly as if I had come out of a museum into a riotous fancy-dress ball. During my life with Florence I had almost come to forget that there were such things as fashions or occupations or the greed of gain. I had, in fact, forgotten that there was such a thing as a dollar and that a dollar can be extremely desirable if you don't happen to possess one. And I had forgotten, too, that there was such a thing as gossip that mattered. In that particular, Philadelphia was the most amazing place I have ever been in in my life. I was not in that city for more than a week or ten days and I didn't there transact anything much in the way of business; nevertheless, the number of times that I was warned by everybody against everybody else was simply amazing. A man I didn't know would come up behind my lounge chair in the hotel, and, whispering cautiously beside my ear, would warn me against some other man that I equally didn't know but who would be standing by the bar. I don't know what they thought I was there to do--perhaps to buy out the city's debt or get a controlling hold of some railway interest. Or, perhaps, they imagined that I wanted to buy a newspaper, for they were either politicians or reporters, which, of course, comes to the same thing. As a matter of fact, my property in Philadelphia was mostly real estate in the old-fashioned part of the city and all I wanted to do there was just to satisfy myself that the houses were in good repair and the doors kept properly painted. I wanted also to see my relations, of whom I had a few. These were mostly professional people and they were mostly rather hard up because of the big bank failure in 1907 or thereabouts. Still, they were very nice. They would have been nicer still if they hadn't, all of them, had what appeared to me to be the mania that what they called influences were working against them. At any rate, the impression of that city was one of old-fashioned rooms, rather English than American in type, in which handsome but careworn ladies, cousins of my own, talked principally about mysterious movements that were going on against them. I never got to know what it was all about; perhaps they thought I knew or perhaps there weren't any movements at all. It was all very secret and subtle and subterranean. But there was a nice young fellow called Carter who was a sort of second-nephew of mine, twice removed. He was handsome and dark and gentie and tall and modest. I understand also that he was a good cricketer. He was employed by the real-estate agents who collected my rents. It was he, therefore, who took me over my own property and I saw a good deal of him and of a nice girl called Mary, to whom he was engaged. At that time I did, what I certainly shouldn't do now--I made some careful inquiries as to his character. I discovered from his employers that he was just all that he appeared, honest, industrious, high-spirited, friendly and ready to do anyone a good turn. His relatives, however, as they were mine, too--seemed to have something darkly mysterious against him. I imagined that he must have been mixed up in some case of graft or that he had at least betrayed several innocent and trusting maidens. I pushed, however, that particular mystery home and discovered it was only that he was a Democrat. My own people were mostly Republicans. It seemed to make it worse and more darkly mysterious to them that young Carter was what they called a sort of a Vermont Democrat which was the whole ticket and no mistake. But I don't know what it means. Anyhow, I suppose that my money will go to him when I die--I like the recollection of his friendly image and of the nice girl he was engaged to. May Fate deal very kindly with them.

     I have said just now that, in my present frame of mind, nothing would ever make me make inquiries as to the character of any man that I liked at first sight. (The little digression as to my Philadelphia experiences was really meant to lead around to this.) For who in this world can give anyone a character? Who in this world knows anything of any other heart--or of his own? I don't mean to say that one cannot form an average estimate of the way a person will behave. But one cannot be certain of the way any man will behave in every case--and until one can do that a "character" is of no use to anyone. That, for instance, was the way with Florence's maid in Paris. We used to trust that girl with blank cheques for the payment of the tradesmen. For quite a time she was so trusted by us. Then, suddenly, she stole a ring. We should not have believed her capable of it; she would not have believed herself capable of it. It was nothing in her character. So, perhaps, it was with Edward Ashburnham.

     Or, perhaps, it wasn't. No, I rather think it wasn't. It is difficult to figure out. I have said that the Kilsyte case eased the immediate tension for him and Leonora. It let him see that she was capable of loyalty to him; it gave her her chance to show that she believed in him. She accepted without question his statement that, in kissing the girl, he wasn't trying to do more than administer fatherly comfort to a weeping child. And, indeed, his own world--including the magistrates--took that view of the case. Whatever people say, one's world can be perfectly charitable at times . . . But, again, as I have said, it did Edward a great deal of harm.

     That, at least, was his view of it. He assured me that, before that case came on and was wrangled about by counsel with all sorts of dirty-mindedness that counsel in that sort of case can impute, he had not had the least idea that he was capable of being unfaithful to Leonora. But, in the midst of that tumult--he says that it came suddenly into his head whilst he was in the witness-box--in the midst of those august ceremonies of the law there came suddenly into his mind the recollection of the softness of the girl's body as he had pressed her to him. And, from that moment, that girl appeared desirable to him--and Leonora completely unattractive.

     He began to indulge in day-dreams in which he approached the nurse-maid more tactfully and carried the matter much further. Occasionally he thought of other women in terms of wary courtship--or, perhaps, it would be more exact to say that he thought of them in terms of tactful comforting, ending in absorption. That was his own view of the case. He saw himself as the victim of the law. I don't mean to say that he saw himself as a kind of Dreyfus. The law, practically, was quite kind to him. It stated that in its view Captain Ashburnham had been misled by an ill-placed desire to comfort a member of the opposite sex, and it fined him five shilling for his want of tact, or of knowledge of the world. But Edward maintained that it had put ideas into his head.

     I don't believe it, though he certainly did. He was twenty-seven then, and his wife was out of sympathy with him--some crash was inevitable. There was between them a momentary rapprochement; but it could not last. It made it, probably, all the worse that, in that particular matter, Leonara had come so very well up to the scratch. For, whilst Edward respected her more and was grateful to her, it made her seem by so much the more cold in other matters that were near his heart--his responsibilities, his career, his tradition. It brought his despair of her up to a point of exasperation--and it riveted on him the idea that he might find some other woman who would give him the moral support that he needed. He wanted to be looked upon as a sort of Lohengrin.

     At that time, he says, he went about deliberately looking for some woman who could help him. He found several--for there were quite a number of ladies in his set who were capable of agreeing with this handsome and fine fellow that the duties of a feudal gentleman were feudal. He would have liked to pass his days talking to one or other of these ladies. But there was always an obstacle--if the lady were married there would be a husband who claimed the greater part of her time and attention. If, on the other hand, it were an unmarried girl, he could not see very much of her for fear of compromising her. At that date, you understand, he had not the least idea of seducing any one of these ladies. He wanted only moral support at the hands of some female, because he found men difficult to talk to about ideals. Indeed, I do not believe that he had, at any time, any idea of making any one his mistress. That sounds queer; but I believe it is quite true as a statement of character.

     It was, I believe, one of Leonora's priests--a man of the world--who suggested that she should take him to Monte Carlo. He had the idea that what Edward needed, in order to fit him for the society of Leonora, was a touch of irresponsibility. For Edward, at that date, had much the aspect of a prig. I mean that, if he played polo and was an excellent dancer he did the one for the sake of keeping himself fit and the other because it was a social duty to show himself at dances, and, when there, to dance well. He did nothing for fun except what he considered to be his work in life. As the priest saw it, this must for ever estrange him from Leonora --not because Leonora set much store by the joy of life, but because she was out of sympathy with Edward's work. On the other hand, Leonora did like to have a good time, now and then, and, as the priest saw it, if Edward could be got to like having a good time now and then, too, there would be a bond of sympathy between them. It was a good idea, but it worked out wrongly.

     It worked out, in fact, in the mistress of the Grand Duke. In anyone less sentimental than Edward that would not have mattered. With Edward it was fatal. For, such was his honourable nature, that for him to enjoy a woman's favours made him feel that she had a bond on him for life. That was the way it worked out in practice. Psychologically it meant that he could not have a mistress without falling violently in love with her. He was a serious person--and in this particular case it was very expensive. The mistress of the Grand Duke--a Spanish dancer of passionate appearance --singled out Edward for her glances at a ball that was held in their common hotel. Edward was tall, handsome, blond and very wealthy as she understood--and Leonora went up to bed early. She did not care for public dances, but she was relieved to see that Edward appeared to be having a good time with several amiable girls. And that was the end of Edward--for the Spanish dancer of passionate appearance wanted one night of him for his beaux yeux. He took her into the dark gardens and, remembering suddenly the girl of the Kilsyte case, he kissed her. He kissed her passionately, violently, with a sudden explosion of the passion that had been bridled all his life--for Leonora was cold, or at any rate, well behaved. La Dolciquita liked this reversion, and he passed the night in her bed.

     When the palpitating creature was at last asleep in his arms he discovered that he was madly, was passionately, was overwhelmingly in love with her. It was a passion that had arisen like fire in dry corn. He could think of nothing else; he could live for nothing else. But La Dolciquita was a reasonable creature without an ounce of passion in her. She wanted a certain satisfaction of her appetites and Edward had appealed to her the night before. Now that was done with, and, quite coldly, she said that she wanted money if he was to have any more of her. It was a perfectly reasonable commercial transaction. She did not care two buttons for Edward or for any man and he was asking her to risk a very good situation with the Grand Duke. If Edward could put up sufficient money to serve as a kind of insurance against accident she was ready to like Edward for a time that would be covered, as it were, by the policy. She was getting fifty thousand dollars a year from her Grand Duke; Edward would have to pay a premium of two years' hire for a month of her society. There would not be much risk of the Grand Duke's finding it out and it was not certain that he would give her the keys of the street if he did find out. But there was the risk--a twenty per cent risk, as she figured it out. She talked to Edward as if she had been a solicitor with an estate to sell--perfectly quietly and perfectly coldly without any inflections in her voice. She did not want to be unkind to him; but she could see no reason for being kind to him. She was a virtuous business woman with a mother and two sisters and her own old age to be provided comfortably for. She did not expect more than a five years' further run. She was twenty-four and, as she said: "We Spanish women are horrors at thirty." Edward swore that he would provide for her for life if she would come to him and leave off talking so horribly; but she only shrugged one shoulder slowly and contemptuously. He tried to convince this woman, who, as he saw it, had surrendered to him her virtue, that he regarded it as in any case his duty to provide for her, and to cherish her and even to love her--for life. In return for her sacrifice he would do that. In return, again, for his honourable love she would listen for ever to the accounts of his estate. That was how he figured it out.

     She shrugged the same shoulder with the same gesture and held out her left hand with the elbow at her side:

     "Enfin, mon ami," she said, "put in this hand the price of that tiara at Forli's or . . ." And she turned her back on him.

     Edward went mad; his world stood on its head; the palms in front of the blue sea danced grotesque dances. You see, he believed in the virtue, tenderness and moral support of women. He wanted more than anything to argue with La Dolciquita; to retire with her to an island and point out to her the damnation of her point of view and how salvation can only be found in true love and the feudal system. She had once been his mistress, he reflected, and by all the moral laws she ought to have gone on being his mistress or at the very least his sympathetic confidante. But her rooms were closed to him; she did not appear in the hotel. Nothing: blank silence. To break that down he had to have twenty thousand pounds. You have heard what happened.

     He spent a week of madness; he hungered; his eyes sank in; he shuddered at Leonora's touch. I dare say that nine-tenths of what he took to be his passion for La Dolciquita was really discomfort at the thought that he had been unfaithful to Leonora. He felt uncommonly bad, that is to say--oh, unbearably bad, and he took it all to be love. Poor devil, he was incredibly naïve. He drank like a fish after Leonora was in bed and he spread himself over the tables, and this went on for about a fortnight. Heaven knows what would have happened; he would have thrown away every penny that he possessed.

     On the night after he had lost about forty thousand pounds and whilst the whole hotel was whispering about it, La Dolciquita walked composedly into his bedroom. He was too drunk to recognize her, and she sat in his arm-chair, knitting and holding smelling salts to her nose--for he was pretty far gone with alcoholic poisoning--and, as soon as he was able to understand her, she said:

     "Look here, mon ami, do not go to the tables again. Take a good sleep now and come and see me this afternoon."

     He slept till the lunch-hour. By that time Leonora had heard the news. A Mrs Colonel Whelan had told her. Mrs Colonel Whelan seems to have been the only sensible person who was ever connected with the Ashburnhams. She had argued it out that there must be a woman of the harpy variety connected with Edward's incredible behaviour and mien; and she advised Leonora to go straight off to Town--which might have the effect of bringing Edward to his senses--and to consult her solicitor and her spiritual adviser. She had better go that very morning; it was no good arguing with a man in Edward's condition.

     Edward, indeed, did not know that she had gone. As soon as he awoke he went straight to La Dolciquita's room and she stood him his lunch in her own apartments. He fell on her neck and wept, and she put up with it for a time. She was quite a good-natured woman. And, when she had calmed him down with Eau de Mélisse, she said:

     "Look here, my friend, how much money have you left? Five thousand dollars? Ten?" For the rumour went that Edward had lost two kings' ransoms a night for fourteen nights and she imagined that he must be near the end of his resources.

     The Eau de Mélisse had calmed Edward to such an extent that, for the moment, he really had a head on his shoulders. He did nothing more than grunt:

     "And then?"

     "Why," she answered, "I may just as well have the ten thousand dollars as the tables. I will go with you to Antibes for a week for that sum."

     Edward grunted: "Five." She tried to get seven thousand five hundred; but he stuck to his five thousand and the hotel expenses at Antibes. The sedative carried him just as far as that and then he collapsed again. He had to leave for Antibes at three; he could not do without it. He left a note for Leonora saying that he had gone off for a week with the Clinton Morleys, yachting.

     He did not enjoy himself very much at Antibes. La Dolciquita could talk of nothing with any enthusiasm except money, and she tired him unceasingly, during every waking hour, for presents of the most expensive description. And, at the end of a week, she just quietly kicked him out. He hung about in Antibes for three days. He was cured of the idea that he had any duties towards La Dolciquita--feudal or otherwise. But his sentimentalism required of him an attitude of Byronic gloom--as if his court had gone into half-mourning. Then his appetite suddenly returned, and he remembered Leonora. He found at his hotel at Monte Carlo a telegram from Leonora, dispatched from London, saying; "Please return as soon as convenient." He could not understand why Leonora should have abandoned him so precipitately when she only thought that he had gone yachting with the Clinton Morleys. Then he discovered that she had left the hotel before he had written the note. He had a pretty rocky journey back to town; he was frightened out of his life--and Leonora had never seemed so desirable to him.


V

     I CALL this the Saddest Story, rather than "The Ashburnham Tragedy", just because it is so sad, just because there was no current to draw things along to a swift and inevitable end. There is about it none of the elevation that accompanies tragedy; there is about it no nemesis, no destiny. Here were two noble people--for I am convinced that both Edward and Leonora had noble natures--here, then, were two noble natures, drifting down life, like fireships afloat on a lagoon and causing miseries, heart-aches, agony of the mind and death. And they themselves steadily deteriorated. And why? For what purpose? To point what lesson? It is all a darkness.

     There is not even any villain in the story--for even Major Basil, the husband of the lady who next, and really, comforted the unfortunate Edward --even Major Basil was not a villain in this piece. He was a slack, loose, shiftless sort of fellow--but he did not do anything to Edward. Whilst they were in the same station in Burma he borrowed a good deal of money--though, really, since Major Basil had no particular vices, it was difficult to know why he wanted it. He collected--different types of horses' bits from the earliest times to the present day--but, since he did not prosecute even this occupation with any vigour, he cannot have needed much money for the acquirement, say, of the bit of Genghis Khan's charger--if Genghis Khan had a charger. And when I say that he borrowed a good deal of money from Edward I do not mean to say that he had more than a thousand pounds from him during the five years that the connection lasted. Edward, of course, did not have a great deal of money; Leonora was seeing to that. Still, he may have had five hundred pounds a year English, for his menus plaisirs--for his regimental subscriptions and for keeping his men smart. Leonora hated that; she would have preferred to buy dresses for herself or to have devoted the money to paying off a mortgage. Still, with her sense of justice, she saw that, since she was managing a property bringing in three thousand a year with a view to re-establishing it as a property of five thousand a year and since the property really, if not legally, belonged to Edward, it was reasonable and just that Edward should get a slice of his own. Of course she had the devil of a job.

     I don't know that I have got the financial details exactly right. I am a pretty good head at figures, but my mind, still, sometimes mixes up pounds with dollars and I get a figure wrong. Anyhow, the proposition was something like this: Properly worked and without rebates to the tenants and keeping up schools and things, the Branshaw estate should have brought in about five thousand a year when Edward had it. It brought in actually about four. (I am talking in pounds, not dollars.) Edward's excesses with the Spanish Lady had reduced its value to about three--as the maximum figure, without reductions. Leonora wanted to get it back to five.

     She was, of course, very young to be faced with such a proposition--twenty-four is not a very advanced age. So she did things with a youthful vigour that she would, very likely, have made more merciful, if she had known more about life. She got Edward remarkably on the hop. He had to face her in a London hotel, when he crept back from Monte Carlo with his poor tail between his poor legs. As far as I can make out she cut short his first mumblings and his first attempts at affectionate speech with words something like:

     "We're on the verge of ruin. Do you intend to let me pull things together? If not I shall retire to Hendon on my jointure." (Hendon represented a convent to which she occasionally went for what is called a "retreat" in Catholic circles.)

     And poor dear Edward knew nothing--absolutely nothing. He did not know how much money he had, as he put it, "blued" at the tables. It might have been a quarter of a million for all he remembered. He did not know whether she knew about La Dolciquita or whether she imagined that he had gone off yachting or had stayed at Monte Carlo. He was just dumb and he just wanted to get into a hole and not have to talk. Leonora did not make him talk and she said nothing herself.

     I do not know much about English legal procedure--I cannot, I mean, give technical details of how they tied him up. But I know that, two days later, without her having said more than I have reported to you, Leonora and her attorney had become the trustees, as I believe it is called, of all Edward's property, and there was an end of Edward as the good landlord and father of his people. He went out. Leonora then had three thousand a year at her disposal. She occupied Edward with getting himself transferred to a part of his regiment that was in Burma--if that is the right way to put it. She herself had an interview, lasting a week or so--with Edward's land-steward. She made him understand that the estate would have to yield up to its last penny. Before they left for India she had let Branshaw for seven years at a thousand a year. She sold two Vandykes and a little silver for eleven thousand pounds and she raised, on mortgage, twenty-nine thousand. That went to Edward's money-lending friends in Monte Carlo. So she had to get the twenty-nine thousand back, for she did not regard the Vandykes and the silver as things she would have to replace. They were just frills to the Ashburnham vanity. Edward cried for two days over the disappearance of his ancestors and then she wished she had not done it; but it did not teach her anything and it lessened such esteem as she had for him. She did not also understand that to let Branshaw affected him with a feeling of physical soiling--that it was almost as bad for him as if a woman belonging to him had become a prostitute. That was how it did affect him; but I dare say she felt just as bad about the Spanish dancer.

     So she went at it. They were eight years in India, and during the whole of that time she insisted that they must be self-supporting--they had to live on his Captain's pay, plus the extra allowance for being at the front. She gave him the five hundred a year for Ashburnham frills, as she called it to herself--and she considered she was doing him very well.

     Indeed, in a way, she did him very well--but it was not his way. She was always buying him expensive things which, as it were, she took off her own back. I have, for instance, spoken of Edward's leather cases. Well, they were not Edward's at all; they were Leonora's manifestations. He liked to be clean, but he preferred, as it were, to be threadbare. She never understood that, and all that pigskin was her idea of a reward to him for putting her up to a little speculation by which she made eleven hundred pounds. She did, herself, the threadbare business. When they went up to a place called Simla, where, as I understand, it is cool in the summer and very social--when they went up to Simla for their healths it was she who had him prancing around, as we should say in the United States, on a thousand-dollar horse with the gladdest of glad rags all over him. She herself used to go into "retreat". I believe that was very good for her health and it was also very inexpensive.

     It was probably also very good for Edward's health, because he pranced about mostly with Mrs Basil, who was a nice woman and very, very kind to him. I suppose she was his mistress, but I never heard it from Edward, of course. I seem to gather that they carried it on in a high romantic fashion, very proper to both of them--or, at any rate, for Edward; she seems to have been a tender and gentle soul who did what he wanted. I do not mean to say that she was without character; that was her job, to do what Edward wanted. So I figured it out, that for those five years, Edward wanted long passages of deep affection kept up in long, long talks and that every now and then they "fell," which would give Edward an opportunity for remorse and an excuse to lend the Major another fifty. I don't think that Mrs Basil considered it to be "falling"; she just pitied him and loved him.

     You see, Leonora and Edward had to talk about something during all these years. You cannot be absolutely dumb when you live with a person unless you are an inhabitant of the North of England or the State of Maine. So Leonora imagined the cheerful device of letting him see the accounts of his estate and discussing them with him. He did not discuss them much; he was trying to behave prettily. But it was old Mr Mumford--the farmer who did not pay his rent--that threw Edward into Mrs Basil's arms. Mrs Basil came upon Edward in the dusk, in the Burmese garden, with all sorts of flowers and things. And he was cutting up that crop--with his sword, not a walking-stick. He was also carrying on and cursing in a way you would not believe.

     She ascertained that an old gentleman called Mumford had been ejected from his farm and had been given a little cottage rent-free, where he lived on ten shillings a week from a farmers' benevolent society, supplemented by seven that was being allowed him by the Ashburnham trustees. Edward had just discovered that fact from the estate accounts. Leonora had left them in his dressing-room and he had begun to read them before taking off his marching-kit. That was how he came to have a sword. Leonora considered that she had been unusually generous to old Mr Mumford in allowing him to inhabit a cottage, rent-free, and in giving him seven shillings a week. Anyhow, Mrs Basil had never seen a man in such a state as Edward was. She had been passionately in love with him for quite a time, and he had been longing for her sympathy and admiration with a passion as deep. That was how they came to speak about it, in the Burmese garden, under the pale sky, with sheaves of severed vegetation, misty and odorous, in the night around their feet. I think they behaved themselves with decorum for quite a time after that, though Mrs Basil spent so many hours over the accounts of the Ashburnham estate that she got the name of every field by heart. Edward had a huge map of his lands in his harness-room and Major Basil did not seem to mind. I believe that people do not mind much in lonely stations.

     It might have lasted for ever if the Major had not been made what is called a brevet-colonel during the shuffling of troops that went on just before the South African War. He was sent off somewhere else and, of course, Mrs Basil could not stay with Edward. Edward ought, I suppose, to have gone to the Transvaal. It would have done him a great deal of good to get killed. But Leonora would not let him; she had heard awful stories of the extravagance of the hussar regiment in war-time--how they left hundred-bottle cases of champagne, at five guineas a bottle, on the veldt and so on. Besides, she preferred to see how Edward was spending his five hundred a year. I don't mean to say that Edward had any grievance in that. He was never a man of the deeds of heroism sort and it was just as good for him to be sniped at up in the hills of the North Western frontier, as to be shot at by an old gentleman in a tophat at the bottom of some spruit. Those are more or less his words about it. I believe he quite distinguished himself over there. At any rate, he had had his D.S.O. and was made a brevet-major. Leonora, however, was not in the least keen on his soldiering. She hated also his deeds of heroism. One of their bitterest quarrels came after he had, for the second time, in the Red Sea, jumped overboard from the troopship and rescued a private soldier. She stood it the first time and even complimented him. But the Red Sea was awful, that trip, and the private soldiers seemed to develop a suicidal craze. It got on Leonora's nerves; she figured Edward, for the rest of that trip, jumping overboard every ten minutes. And the mere cry of "Man overboard" is a disagreeable, alarming and disturbing thing. The ship gets stopped and there are all sorts of shouts. And Edward would not promise not to do it again, though, fortunately, they struck a streak of cooler weather when they were in the Persian Gulf. Leonora had got it into her head that Edward was trying to commit suicide, so I guess it was pretty awful for her when he would not give the promise. Leonora ought never to have been on that troopship; but she got there somehow, as an economy.

     Major Basil discovered his wife's relation with Edward just before he was sent to his other station. I don't know whether that was a blackmailer's adroitness or just a trick of destiny. He may have known of it all the time or he may not. At any rate, he got hold of, just about then, some letters and things. It cost Edward three hundred pounds immediately. I do not know how it was arranged; I cannot imagine how even a blackmailer can make his demands. I suppose there is some sort of way of saving your face. I figure the Major as disclosing the letters to Edward with furious oaths, then accepting his explanations that the letters were perfectly innocent if the wrong construction were not put upon them. Then the Major would say: "I say, old chap, I'm deuced hard up. Couldn't you lend me three hundred or so?" I fancy that was how it was. And, year by year, after that there would come a letter from the Major, saying that he was deuced hard up and couldn't Edward lend him three hundred or so?

     Edward was pretty hard hit when Mrs Basil had to go away. He really had been very fond of her, and he remained faithful to her memory for quite a long time. And Mrs Basi had loved him very much and continued to cherish a hope of reunion with him. Three days ago there came a quite proper but very lamentable letter from her to Leonora, asking to be given particulars as to Edward's death. She had read the advertisement of it in an Indian paper. I think she must have been a very nice woman. . . .

     And then the Ashburnhams were moved somewhere up towards a place or a district called Chitral. I am no good at geography of the Indian Empire. By that time they had settled down into a model couple and they never spoke in private to each other. Leonora had given up even showing the accounts of the Ashburnham estate to Edward. He thought that that was because she had piled up such a lot of money that she did not want him to know how she was getting on any more. But, as a matter of fact, after five or six years it had penetrated to her mind that it was painful to Edward to have to look on at the accounts of his estate and have no hand in the management of it. She was trying to do him a kindness. And, up in Chitral, poor dear little Maisie Maidan came along. . . .

     That was the most unsettling to Edward of all his affairs. It made him suspect that he was inconstant. The affair with the Dolciquita he had sized up as a short attack of madness like hydrophobia. His relations with Mrs Basil had not seemed to him to imply moral turpitude of a gross kind. The husband had been complaisant; they had really loved each other; his wife was very cruel to him and had long ceased to be a wife to him. He thought that Mrs Basil had been his soul-mate, separated from him by an unkind fate--something sentimental of that sort.

     But he discovered that, whilst he was still writing long weekly letters to Mrs Basil, he was beginning to be furiously impatient if he missed seeing Maisie Maidan during the course of the day. He discovered himself watching the doorways with impatience; he discovered that he disliked her boy husband very much for hours at a time. He discovered that he was getting up at unearthly hours in order to have time, later in the morning, to go for a walk with Maisie Maidan. He discovered himself using little slang words that she used and attaching a sentimental value to those words. These, you understand, were discoveries that came so late that he could do nothing but drift. He was losing weight; his eyes were beginning to fall in; he had touches of bad fever. He was, as he described it, pipped.

     And, one ghastly hot day, he suddenly heard himself say to Leonora:

     "I say, couldn't we take Mrs Maidan with us to Europe and drop her at Nauheim?"

     He hadn't had the least idea of saying that to Leonora. He had merely been standing, looking at an illustrated paper, waiting for dinner. Dinner was twenty minutes late or the Ashburnhams would not have been alone together. No, he hadn't had the least idea of framing that speech. He had just been standing in a silent agony of fear, of longing, of heat, of fever. He was thinking that they were going back to Branshaw in a month and that Maisie Maidan was going to remain behind and die. And then, that had come out.

     The punkah swished in the darkened room; Leonora lay exhausted and motionless in her cane lounge; neither of them stirred. They were both at that time very ill in indefinite ways.

     And then Leonora said:

     "Yes. I promised it to Charlie Maidan this afternoon. I have offered to pay her ex's myself."

     Edward just saved himself from saying: "Good God!" You see, he had not the least idea of what Leonora knew--about Maisie, about Mrs Basil, even about La Dolciquita. It was a pretty enigmatic situation for him. It struck him that Leonora must be intending to manage his loves as she managed his money affairs and it made her more hateful to him--and more worthy of respect.

     Leonora, at any rate, had managed his money to some purpose. She had spoken to him, a week before, for the first time in several years--about money. She had made twenty-two thousand pounds out of the Branshaw land and seven by the letting of Branshaw furnished. By fortunate investments--in which Edward had helped her--she had made another six or seven thousand that might well become more. The mortgages were all paid off, so that, except for the departure of the two Vandykes and the silver, they were as well off as they had been before the Dolciquita had acted the locust. It was Leonora's great achievement. She laid the figures before Edward, who maintained an unbroken silence.

     "I propose," she said, "that you should resign from the Army and that we should go back to Branshaw. We are both too ill to stay here any longer."

     Edward said nothing at all.

     "This," Leonora continued passionlessly, "is the great day of my life."

     Edward said:

     "You have managed the job amazingly. You are a wonderful woman." He was thinking that if they went back to Branshaw they would leave Maisie Maidan behind. That thought occupied him exclusively. They must, undoubtedly, return to Branshaw; there could be no doubt that Leonora was too ill to stay in that place. She said:

     "You understand that the management of the whole of the expenditure of the income will be in your hands. There will be five thousand a year."

     She thought that he cared very much about the expenditure of an income of five thousand a year and that the fact that she had done so much for him would rouse in him some affection for her. But he was thinking exclusively of Maisie Maidan--of Maisie, thousands of miles away from him. He was seeing the mountains between them--blue mountains and the sea and sunlit plains. He said:

     "That is very generous of you." And she did not know whether that were praise or a sneer. That had been a week before. And all that week he had passed in an increasing agony at the thought that those mountains, that sea, and those sunlit plains would be between him and Maisie Maidan. That thought shook him in the burning nights: the sweat poured from him and he trembled with cold, in the burning noons--at that thought. He had no minute's rest; his bowels turned round and round within him: his tongue was perpetually dry and it seemed to him that the breath between his teeth was like air from a pest-house.

     He gave no thought to Leonora at all; he had sent in his papers. They were to leave in a month. It seemed to him to be his duty to leave that place and to go away, to support Leonora. He did his duty.

     It was horrible, in their relationship at that time, that whatever she did caused him to hate her. He hated her when he found that she proposed to set him up as the Lord of Branshaw again--as a sort of dummy lord, in swaddling clothes. He imagined that she had done this in order to separate him from Maisie Maidan. Hatred hung in all the heavy nights and filled the shadowy corners of the room. So when he heard that she had offered to the Maidan boy to take his wife to Europe with him, automatically he hated her since he hated all that she did. It seemed to him, at that time, that she could never be other than cruel even if, by accident, an act of hers were kind. . . . Yes, it was a horrible situation.

     But the cool breezes of the ocean seemed to clear up that hatred as if it had been a curtain. They seemed to give him back admiration for her, and respect. The agreeableness of having money lavishly at command, the fact that it had bought for him the companionship of Maisie Maidan--these things began to make him see that his wife might have been right in the starving and scraping upon which she had insisted. He was at ease; he was even radiantly happy when he carried cups of bouillon for Maisie Maidan along the deck. One night, when he was leaning beside Leonora, over the ship's side, he said suddenly:

     "By jove, you're the finest woman in the world. I wish we could be better friends."

     She just turned away without a word and went to her cabin. Still, she was very much better in health.

     And now, I suppose, I must give you Leonora's side of the case. . . .

     That is very difficult. For Leonora, if she preserved an unchanged front, changed very frequently her point of view. She had been drilled-- in her tradition, in her upbringing--to keep her mouth shut. But there were times, she said, when she was so near yielding to the temptation of speaking that afterwards she shuddered to think of those times. You must postulate that what she desired above all things was to keep a shut mouth to the world; to Edward and to the women that he loved. If she spoke she would despise herself.

     From the moment of his unfaithfulness with La Dolciquita she never acted the part of wife to Edward. It was not that she intended to keep herself from him as a principle, for ever. Her spiritual advisers, I believe, forbade that. But she stipulated that he must, in some way, perhaps symbolical, come back to her. She was not very clear as to what she meant; probably she did not know herself. Or perhaps she did.

     There were moments when he seemed to be coming back to her; there were moments when she was within a hair of yielding to her physical passion for him. In just the same way, at moments, she almost yielded to the temptation to denounce Mrs Basil to her husband or Maisie Maidan to hers. She desired then to cause the horrors and pains of public scandals. For, watching Edward more intently and with more straining of ears than that which a cat bestows upon a bird overhead, she was aware of the progress of his passion for each of these ladies. She was aware of it from the way in which his eyes returned to doors and gateways; she knew from his tranquillities when he had received satisfactions.

     At times she imagined herself to see more than was warranted. She imagined that Edward was carrying on intrigues with other women--with two at once; with three. For whole periods she imagined him to be a monster of libertinage and she could not see that he could have anything against her. She left him his liberty; she was starving herself to build up his fortunes; she allowed herself none of the joys of femininity--no dresses, no jewels--hardly even friendships, for fear they should cost money.

     And yet, oddly, she could not but be aware that both Mrs Basil and Maisie Maidan were nice women. The curious, discounting eye which one woman can turn on another did not prevent her seeing that Mrs Basil was very good to Edward and Mrs Maidan very good for him. That seemed her to be a monstrous and incomprehensible working of Fate's. Incomprehensible! Why, she asked herself again and again, did none of the good deeds that she did for her husband ever come through to him, or appear to hime as good deeds? By what trick of mania could not he let her be as good to him as Mrs Basil was? Mrs Basil was not so extraordinarily dissimilar to herself. She was, it was true, tall, dark, with soft mournful voice and a great kindness of manner for every created thing, from punkah men to flowers on the trees. But she was not so well read as Lenora, at any rate in learned books. Leonora could not stand novels. But, even with all her differences, Mrs Basil did not appear to Leonora to differ so very much from herself. She was truthful, honest and, for the rest, just a woman. And Leonora had a vague sort of idea that, to a man, all women are the same after three weeks of close intercourse. She thought that the kindness should no longer appeal, the soft and mournful voice no longer thrill, the tall darkness no longer give a man the illusion that he was going into the depths of an unexplored wood. She could not understand how Edward could go on and on maundering over Mrs Basil. She could not see why he should continue to write her long letters after their separation. After that, indeed, she had a very bad time.

     She had at that period what I will call the "monstrous" theory of Edward. She was always imagining him ogling at every woman that he came across. She did not, that year, go into "retreat" at Simla because she was afraid that he would corrupt her maid in her absence. She imagined him carrying on intrigues with native women or Eurasians. At dances she was in a fever of watchfulness.

     She persuaded herself that this was because she had a dread of scandals. Edward might get himself mixed up with a marriageable daughter of some man who would make a row or some husband who would matter. But, really, she acknowledged afterwards to herself, she was hoping that, Mrs Basil being out of the way, the time might have come when Edward should return to her. All that period she passed in an agony of jealousy and fear--the fear that Edward might really become promiscuous in his habits.

     So that, in an odd way, she was glad when Maisie Maidan came along--and she realized that she had not, before, been afraid of husbands and of scandals, since, then, she did her best to keep Maisie's husband unsuspicious. She wished to appear so trustful of Edward that Maidan could not possibly have any suspicions. It was an evil position for her. But Edward was very ill and she wanted to see him smile again. She thought that if he could smile again through her agency he might return, through gratitude and satisfied love--to her. At that time she thought that Edward was a person of light and fleeting passions. And she could understand Edward's passion for Maisie, since Maisie was one of those women to whom other women will allow magnetism.

     She was very pretty; she was very young; in spite of her heart she was very gay and light on her feet. And Leonora was really very fond of Maisie, who was fond enough of Leonora. Leonora, indeed, imagined that she could manage this affair all right. She had no thought of Maisie's being led into adultery; she imagined that if she could take Maisie and Edward to Nauheim, Edward would see enough of her to get tired of her pretty little chatterings, and of the pretty little motions of her hands and feet. And she thought she could trust Edward. For there was not any doubt of Maisie's passion for Edward. She raved about him to Leonora as Leonora had heard girls rave about drawing masters in schools. She was perpetually asking her boy husband why he could not dress, ride, shoot, play polo, or even recite sentimental poems, like their major. And young Maidan had the greatest admiration for Edward, and he adored, was bewildered by and entirely trusted his wife. It appeared to him that Edward was devoted to Leonora. And Leonora imagined that when poor Maisie was cured of her hear and Edward had seen enough of her, he would return to her. She had the vague, passionate idea that, when Edward had exhausted a number of other types of women he must turn to her. Why should not her type have its turn in his heart? She imagined that, by now, she understood him better, that she understood better his vanities and that, by making him happier, she could arouse his love.

     Florence knocked all that on the head. . . .