Herman Melville
1819 - 1891
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Clarel
Part II. The Wilderness
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Canto xxxvPrelusive.
In Piranezi's rarer prints,Interiors measurelessly strange,Where the distrustful thought may rangeMisgiving still—what mean the hints? | |
5 | Stairs upon stairs which dim ascendIn series from plunged Bastiles drear—Pit under pit; long tier on tierOf shadowed galleries which impendOver cloisters, cloisters without end; |
10 | The hight, the depth—the far, the near;Ring-bolts to pillars in vaulted lanes,And dragging Rhadamanthine chains;These less of wizard influence lendThan some allusive chambers closed. |
15 | Those wards of hush are not disposedIn gibe of goblin fantasy—Grimace—unclean diablery:Thy wings, Imagination, spanIdeal truth in fable's seat: |
20 | The thing implied is one with man,His penetralia of retreat—The heart, with labyrinths replete:In freaks of intimation seePaul's "mystery of iniquity:" |
25 | Involved indeed, a blur of dream;As, awed by scruple and restrictedIn first design, or interdictedBy fate and warnings as might seem;The inventor miraged all the maze, |
30 | Obscured it with prudential haze;Nor less, if subject unto question,The egg left, egg of the suggestion.Dwell on those etchings in the night,Those touches bitten in the steel |
35 | By aqua-fortis, till ye feelThe Pauline text in gray of light;Turn hither then and read aright.
For ye who green or gray retainChildhood's illusion, or but feign; |
40 | As bride and suit[e] let pass a bier—So pass the coming canto here. |